2019-2020 Summer School
Spanish Civil War
(John Blake and David Hart, 1983)
- ​Part 1: Prelude to Tragedy, 1931-1936
- Part 2: Revolution, Counter-Revolution & Terror
- Part 3: Battleground for Idealists
- Part 4: Franco and the Nationalists
- Part 5: Inside the Revolution
- Part 6: Victory and Defeat
- Bragg, Melvyn, "The Spanish Civil War," In Our Time, BBC, April 3, 2003.
- de Quesada, Alejandro, The Spanish Civil War, 1936-39, 1: Nationalist Forces (Oxford and New York: Osprey Publishing, 2014)
- de Quesada, Alejandro, The Spanish Civil War, 1936-39, 2: Republican Forces (Oxford and New York: Osprey Publishing, 2015)
- Ealham, Chris and Michael Richards (eds.), The Splintering of Spain: Cultural History and the Spanish Civil War, 1936-1939 (Cambridge and New York: Cambridge University Press, 2005)
- Lannon, Frances, The Spanish Civil War, 1936-1939 (Oxford and New York: Osprey Publishing, 2002)
- Miller, John (ed.), Voices against Tyranny: Writing of the Spanish Civil War [with an introduction by Stephen Spender] (New York: Charles Scribner's Sons, 1986)
- Morcillo, Aurora G. (ed.), Memory and Cultural History of the Spanish Civil War (Leiden and Boston: Brill, 2014)
- Preston, Paul, The Coming of the Spanish Civil War: Reform, Reaction and Revolution in the Second Republic, 2nd edition (London and New York: Routledge, 1994)
- Turnbull, Patrick and Jeffrey Burn, The Spanish Civil War, 1936-39 (London: Osprey Publishing, 1978)
- Bopp, John R., "George L. Steer: A Chronicle about the Journalist Who Told the World about the Bombing of Guernica," About Basque County, April 26, 2017.
- Fox, William C., "Picasso's Guernica: Painting a Bombing," The Exploration, September 3, 2018.
- Gillespie, Iseult, Why Is This Painting So Shocking? (2019)
- Jump, Jim, "Journalism in the Spanish Civil War and Today," International Brigade, October 31, 2018.
- Lloyd, John, "Commentary: From Guernica's Ruins, a Lesson in Fake News," Reuters, December 8, 2017.
- Peiro, Rosario, Guernica: What Inspired Pablo Picasso's Masterpiece? (BBC, 2017)
- Steer, George L., "The Tragedy of Guernica: Town Destroyed in Air Attack," The Times, April 28, 1937, pp.17-18.
- Thorpe, Vanessa, "Reporter Who Told World of Guernica Atrocity and Inspired Picasso Is Hero of New Film," The Guardian, November 8, 2015.
Joris Ivens, The Spanish Earth [narrated by Ernest Hemingway] (1937)
- Crusells, Magí, "Spanish Cinema during the Final Year of the Civil War: The Republicans' Last Documentaries and Francoist Triumphalism," Bulletin of Spanish Studies, 89/7-8 (2012), pp.23-38.
- Faber, Sebastiaan, "Peter Davies Revisits The Spanish Earth: 'We Are Living a Revival of Fascism'," The Volunteer, December 29, 2018.
- Feigel, Lara, "'I am not a Camera': Camera Consciousness in 1930s Britain and the Spanish Civil War," Textual Practice, 26/2 (2012), pp.219-242.
- French, Lawrence, "Clash of the Titans: When Orson Welles Met Ernest Hemingway to Narrate The Spanish Earth, May 1937," Wellesnet, July 18, 2007.
- Houssart, Mark, "The Spanish Earth (1937): The Circumstances of Its Production, the Film and Its Reception in the United States and United Kingdom," Catalan Journal of Communication & Cultural Studies, 8/1 (2016), pp.113-124.
- Ledesma, Eduardo, "Staging the Spanish Civil War: History and Re-enactment in Joris Ivens' The Spanish Earth (1937)," Bulletin of Spanish Visual Studies (2020), pp.1-32.
- Olivar, Jordi, "This Is Their Fight: Joris Ivens's The Spanish Earth and the Romantic Gaze," Forma, 10 (2014), pp.59-72.
- Seidman, Michael, "The Artist as Populist: Hemingway and the Spanish Civil War," Mediterranean Studies, 4 (1994), pp.157-164.
- "The Screen: The Spanish Earth, at the 55th St. Playhouse, Is a Plea for Democracy," The New York Times, August 21, 1937, p.O.
- "The Spanish Earth: Ernest Hemignway's 1937 Film on The Spanish Civil War," Open Culture, June 28, 2012.
- Waugh, Thomas, "Anti-Fascist Solidarity Documentary," Chapter 3 of his The Conscience of Cinema: The Works of Joris Ivens, 1912-1989 (Amsterdam: Amsterdam University Press, 2016), pp.195-254.
- Waugh, Thomas, "Digging the Spanish Earth," Cinéaste, 2018.
- Waugh, Thomas, "'Men Cannot Act in Front of the Camera in the Presence of Death': Joris Ivens' The Spanish Earth, Part 1," Cinéaste, 12/2 (1982), pp.30-33.
- Waugh, Thomas, "'Men Cannot Act in Front of the Camera in the Presence of Death': Joris Ivens' The Spanish Earth, Part 2," Cinéaste, 12/3 (1983), pp.21-29.
- Baird, Jonathan P., "Remember Martha Gellhorn? Here's Why You Should," Concord Monitor, November 27, 2019.
- Cartier-Bresson, Henri, Cornell Capa and Richard Whelan, Robert Capa Photographs (New York: Aperture Foundation, Inc., 1996)
- Donaldson, Scott, "The Last Great Cause: Hemingway's Spanish Civil War Writing," Chapter 22 of his Fitzgerald and Hemingway: Works and Days (New York: Columbia University Press, 2009), pp.371-451.
- Freedman, Richard, "Hemingway's Spanish Civil War Dispatches," Texas Studies in Literature and Language, 1/2 (Summer 1959), pp.171-180.
- Guttmann, Allen, "Mechanized Doom: Ernest Hemingway and the Spanish Civil War," The Massachusetts Review, 1/3 (Spring 1960), pp.541-561.
- Juncker, Clara, "John Dos Passos in Spain," Miscelánea: A Journal of English and American Studies, 42 (2010), pp.91-103.
- Knight, Sam, "A Memorial for the Remarkable Martha Gellhorn," The New Yorker, September 18, 2019.
- Ludington, Townsend, "Spain and the Hemingway – Dos Passos Relationship," American Literature, 60/2 (May 1988), pp.270-273.
- Lyman, Rick, "Martha Gellhorn, Daring Writer, Dies at 89," The New York Times, February 17, 1998, p.B/11.
- McLain, Paula, "The Extraordinary Life of Martha Gellhorn, the Woman Ernest Hemingway Tried to Erase," Town & Country, July 12, 2018.
- Moorehead, Caroline, "Papa on Warpath," The Spectator, August 19, 2006.
- Muller, Gilbert H., Hemingway and the Spanish Civil War: The Distant Sound of Battle (London: Palgrave Macmillan, 2019)
- Nilsson, Anton, "Ernest Hemingway and the Politics of the Spanish Civil War," The Hemingway Review, 36/1 (Fall 2016), pp.81-93.
- Packer, George, "The Spanish Prisoner," The New Yorker, October 24, 2005.
- Piepenbring, Dan, "'Good Hearted Naivité'," The Paris Review, January 14, 2015.
- "Robert Capa and the Spanish Civil War," Magnum Photos.
- Sayre, Robert, "Anglo-American Writers, The Communist Movement and the Spanish Civil War: The Case of Dos Passos," Revue Française d'Études Américaines, 29 (1986), pp.263-274.
- Stimpert, Jim, "Demystifying Robles: A Story of Camaraderie, Betrayal and Larger Ideals in Conflicts during the Spanish Civil War," Johns Hopkins The Sheridan Libraries & University Museums Blog, September 25, 2018.
- Tappan, Nancy, "Martha Gellhorn: Writer, Warrior, Witness," HistoryNet.
- Trombold, John, "From the Future to the Past: The Disillusionment of John Dos Passos," Studies in American Fiction, 26/2 (Autumn 1998), pp.237-256.
- Walker, Amy, "Blue Plaque for US War Correspondent Martha Gellhorn," The Guardian, September 3, 2019.
- Benson, Sheila, "Saura's ¡Ay, Carmela!: A Slight but Touching Comedy," Los Angeles Times, March 1, 1991.
- Jones, Alexandra Leigh, The Specter of Franco (M.A. thesis, The University of Mississippi, 2014)
- MacDonald, Alice, "Performing Gender and Nation in ¡Ay, Carmela!" Journal of Iberian and Latin American Studies, 4/1 (1998), pp.47-59.
- Murillo, Manuel Yáñez, "Living Memory: Carlos Saura's 50-Year Career Looms Large in Modern Spanish Cinema," Film Comment, 43/2 (March-April 2007), pp.42-45.
- Narcı, Aslı, José Sanchis Sinisterra'nın ¡Ay, Carmela! Oyununun Ä°ncelenmesi (Yükseklisans Tezi, BahçeÅŸehir Üniversitesi, 2011)
- Perri, Dennis, "Sinisterra's and Saura's ¡Ay, Carmela!: Remembering and Dealing with the Civil War," Hispanic Journal, 23/1 (Spring 2002), pp.113-124.
- Ribeiro de Menezes, Alison, "¿Una agonía esperpéntica? Shifting Memory Horizons and Carnivalesque Representations of the Spanish Civil War and Franco Dictatorship," Bulletin of Spanish Studies, 91/1-2 (2014), pp.239-253.
- Hogan, Erin K., "The Transatlantic Dialogism in Narrative and Aesthetics of Bildungsfilms: La lengua de las mariposas, Machuca, El espíritu de la colmena, El premio, El laberinto del fauno and Infancia clandestina," in his The Two cines con niño: Genre and the Child Protagonist in Fifty Years of Spanish Film, 1955-2010 (Edinburgh: Edinburgh University Press, 2020), pp.164-199.
- Holland, Jonathan, "The Butterfly's Tongue," Variety, October 18, 1999.
- O'Neil, Haley, Spanish Literary Journalism at the Turn of the Twenty-First Century: Las columnas literarias of Marujo Torres, Quim Monzó, and Manuel Rivas, 1996-2004 (Ph.D. Thesis, University of California at Santa Barbara, 2011)
- Pulver, Andrew, "Butterfly's Tongue," The Guardian, July 28, 2000.
- Ryan, Lorraine, "The Development of Child Subjectivity in La lengua de las mariposas," Hispania, 95/3 (September 2012), pp.448-460.
- Thomas, Sarah, "Sentimental Objects: Nostalgia and the Child in Cinema of the Spanish Memory Boom," Revista Canadiense de Estudios Hispánicos, 42/1 (Fall 2017), pp.145-171.
- Thompson, John Patrick, Galizan Civil War Novels: Recuperating Historical Memory for (Re) Building Democracy in the Present and Forging a National Identity (Ph.D. Thesis, The University of Michigan, 2003)
- AkdaÅŸ, Cangül, "Sinemada Ä°spanya Ä°ç Savaşı'nın Yeniden Kurgulanması Üzerine: Land and Freedom, 1995," Journal of Social and Humanities Sciences Research, 4/10 (2017), pp.319-331.
- Archibald, David, "Correcting Historical Lies: An Interview with Ken Loach and Paul Laverty," Cinéaste, 32/2 (Spring 2007), pp.26-30.
- Armstrong, Lawin, "Film Review: Land and Freedom," Labour/Le Travail, 41 (Spring 1998), pp.325-327.
- Boulting, Laurence, Loach on Location Making Land and Freedom, 1995 (BBC Documentary, 1995)
- French, Philip, "Idealism and Illusions," The Observer, October 8, 1995.
- Fuller, Graham, "The Cut and Thrust: The Power of Political Debate in the Films of Ken Loach," Cinéaste, 40/4 (Fall 2015), pp.30-35.
- Hall, Martin, "The Future Is Past, The Present Cannot Be Fixed: Ken Loach and the Crisis," in Thomas Austin and Angelos Koutsourakis (eds.), Cinema of Crisis: Film and Contemporary Europe (Edinburgh: Edinburgh University Press, 2020), pp.136-149.
- Hughes, Matthew, "The British Battalion of the International Brigades and the Spanish Civil War, 1936-39," RUSI Journal, 143/2 (April 1998), pp.59-74.
- Kowalsky, Daniel, "Operation X: Soviet Russia and the Spanish Civil War," Bulletin of Spanish Studies, 91/1-2 (2014), pp.159-178.
- Kowalsky, Daniel, "The Soviet Union and the International Brigades, 1936-1939," Journal of Slavic Military Studies, 19 (2006), pp.681-704.
- McGarry, Fearghal, "Ireland and the Spanish Civil War," History Ireland, 9/3 (Autumn 2001), pp.35-40.
- Porton, Richard, "The Revolution Betrayed: An Interview with Ken Loach," Cinéaste, 22/1 (1996), pp.30-31.
- Schwartz, Stephen, "The Paradoxes of Film and the Recovery of Historical Memory: Vicente Aranda's Works on the Spanish Civil War," Film History, 20/4 (2008), pp.501-507.
- Stradling, R. A., "Battleground of Reputations: Ireland and the Spanish Civil War," in Paul Preston and Ann L. MacKenzie (eds.), The Republic Besieged: Civil War in Spain, 1936-1939 (Edinburgh: Edinburgh University Press, 1996), pp.107-132.
- Walsh, David, "Ken Loach's Land and Freedom: The Spanish Revolution Bet-rayed," World Socialist Web Site, August 13, 1998.
- YaÄŸmur, Özge, "Ken Loach Sinemasında DireniÅŸin KimliÄŸi," Film Lovers, May 28, 2018.
- Ackelsberg, Martha A., "Models of Revolution: Rural Women and Anarchist Collectivisation in Civil War Spain," The Journal of Peasant Studies, 20/3 (April 1993), pp.367-388.
- Barnes, Julia, "Rape, Murder, Camera, Action: The Final Scenes of Vicente Aranda's Libertarias," Letras Femeninas, 41/2 (Winter 2015), pp.46-55.
- García-Guirao, Pedro, "Representations of Catholicism in Contemporary Spanish Anarchist-themed Films, 1995-2011," in Alexandre Christoyannopoulos and Matthew S. Adams (eds.), Essays in Anarchism and Religion, Volume 2 (Stockholm: Stockholm University Press, 2018), pp.94-131.
- Getman-Eraso, Jordi, "'Cease Fire, Comrades!' Anarcho-syndicalist Revolu-tionary Prophesy, Anti-Fascism and the Origins of the Spanish Civil War," Totalitarian Movements and Political Religions, 9/1 (March 2008), pp.93-114.
- Herrmann, Gina, "Voices of the Vanquished: Leftist Women and the Spanish Civil War," Journal of Spanish Cultural Studies, 4/1 (2003), pp.11-29.
- King, Patricia Grace, The Autobiographical Witness: American Women Writers and the Spanish Civil War (Ph.D. thesis, Emory University, 2000)
- Lannon, Frances, "Women and Images of Women in the Spanish Civil War," Transcations of the Royal Historical Society, 1 (December 1991), pp.213-228.
- Martín Moruno, Dolores and Javier Ordóñez Rodríguez, "The Nursing Vocation as Political Participation for Women During the Spanish Civil War," Journal of War and Culture Studies, 2/3 (2009), pp.305-319.
- Nash, Mary, "'Milicianas' and Homefront Heroins: Images of Women in Revolu-tionary Spain, 1936-1939," History of European Ideas, 11 (1989), pp.235-244.
- Prince, Jennifer, Genre, Representation, and Memory in Spanish Civil War Texts by Women from Spain and the United States (Ph.D. thesis, The City University of New York, 2017)
- Schmoll, Brett, "Solidarity and Silence: Motherhood in the Spanish Civil War," Journal of Spanish Cultural Studies, 15/4 (2014), pp.475-489.
- Schwartz, Stephen, "The Paradoxes of Film and the Recovery of Historical Memory: Vicente Aranda's Works on the Spanish Civil War," Film History, 20/4 (2008), pp.501-507.
- Van Liew, Maria, "Witness to War: Virginal Vicissitudes in Vicente Aranda's Libertarias (1996)," Quarterly Review of Film and Video, 25/3 (2008), pp.230-240.
- Basilio, Miriam, "Genealogies for a New State: Painting and Propaganda in Franco's Spain, 1936-1940," Discourse, 24/3 (Fall 2002), pp.67-94.
- Casanova, Julían, The Spanish Republic and Civil War [translated by Martin Douch] (Cambridge: Cambridge University Press, 2010)
- Corrin, Jay P., "The Religious Crusade in Spain," Chapter 12 of his Catholic Intellectuals and the Challenge of Democracy (Notre Dame: University of Notre Dame Press, 2002), pp.292-330.
- Deacon, David, "The Ground Rules – Republican and Nationalist International News Management," Chapter 2 of his British News Media and the Spanish Civil War: Tomorrow May Be Too Late (Edinburgh: Edinburgh University Press, 2008), pp.13-44.
- Jensen, Robert Geoffrey, Intellectual Foundations of Dictatorship: Spanish Military Writers and Their Quest for Cultural Regeneration, 1898-1923 (Ph.D. thesis, Yale University, 1995)
- Jensen, Robert Geoffrey, "José Millán-Astray and the Nationalist 'Crusade' in Spain," Journal of Contemporary History, 27/3 (July 1992), pp.425-447.
- Portillo, Luis, "Unamuno's Last Lecture," in Selected Works of Miguel de Unamuno, Volume 2: The Private World [edited by Anthony Kerrigan and Martin Nozick] (Princeton: Princeton University Press, 1985), pp.263-271.
- Shanley, Mary Lyndon, "Miguel de Unamuno: Death & Politics in the Work of a Twentieth-Century Philosopher," Polity, 9/3 (Spring 1977), pp.257-278.
- Valdés, Mario J., "Unamuno's Aesthetics of Disbelief," South Central Review, 18/1-2 (Spring-Summer 2001), pp.16-25.
(Emilio Martínez Lázaro, 2007)
- Deveny, Thomas, "Bio-Pic/Death Story: Emilio Martínez-Lázaro's Las 13 rosas," Bulletin of Spanish Studies, 89/7-8 (2012), pp.39-48.
- Graham, Helen, "Casado's Ghosts: Demythologizing the End of the Spanish Republic," Bulletin of Spanish Studies, 89/7-8 (2012), pp.255-278.
- Larson, Kajsa, "Remembering the Thirteen Rosas: Blurring Fact and Fiction," Nomenclatura: aproximaciones a los estudios hispánicos, 2 (2012), pp.1-21.
- Linhard, Tabea Alexa, "The Death Story of the 'Trece Rosas'," Journal of Spanish Cultural Studies, 3/2 (2002), pp.187-202.
- Ochoa, Debra J., "Re-membering Lesbian Desire in Belle Epoque, Soldados de Salamina, and Las trece rosas," Letras Femeninas, 36/1 (2010), pp.87-101.
- Smith, Paul Julian, "Winners and Losers in Cinema and Memoirs: Emilio Martínez Lázaro's Las 13 rosas and Esther Tusquets' Habíamos ganado la guerra," Bulletin of Spanish Studies, 91/1-2 (2014), pp.255-266.
- Faber, Sebastiaan, "Revis(it)ing the Past: Truth, Justice, and Reconciliation in Post-Franco Spain, a Review Article (Second Part)," Revista Híspanica Moderna, 59/1-2 (June-December 2006), pp.141-154.
- Hanley, Jane, "Review of Sarah Leggott's Memory, War and Dictatorship in Recent Spanish Fiction by Women," Journal of Iberian and Latin American Research, 21/3 (2015), pp.424-426.
- Linville, Rachel, "Tomasa's Traumatic Memories in La voz dormida," Hispanic Research Journal, 15/2 (April 2014), pp.167-180.
- Lyons, Inma Cívico, "Writing Gender in Revolutionary Times: Male Identity and Ideology in Dulce Chacón's La voz dormida," Hispania, 92/3 (September 2009), pp.165-175.
- Thompson, John Patrick, "The Civil War in Galiza, the Uncovering of the Common Graves, and Civil War Novels as Counter-Discourses of Imposed Oblivion," Iberoamericana, 5/18 (June 2005), pp.75-82.
(Aitor Arreghi, Jon Garaño and José María Goenaga, 2019)